"Lauren McQuistin [began] with an abridged rendition of the letter scene from Tchaikovsky’s Eugene Onegin. Plunging right into the drama, McQuistin quickly generated an authentic, burning passion. Her second number, “In Quelle Trine Morbide” from Puccini’s Manon Lescaut, made for a more measured look into her lovely, classical soprano."
– OperaWire